| 2008 |
3 Points of View, Spirale Arte. Verona, Italy |
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Frequencies, Michael Ajerman and James Kao, Toomey Tourell Fine Art, San Francisco |
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Bridge Art Fair, Toomey Tourell Fine Art , NY, NY |
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East Wing Collection 8. Courtauld Galleries. London, UK |
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The Painting Room. Transition Gallery, London UK |
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The Figure Show 08, Jill George Gallery, London, UK |
| 2007 |
Friends and Relatives, Spirale Arte, Milan, Italy |
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Bomberg’s Relevance. Ben Uri Gallery, London, UK |
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Repetition and Sequence, Jerwood Space, London, UK |
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Sequence and Repetition, Beldam Gallery, Brunel
University, UK |
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Creekside Open x2. A.P.T Selected by Victoria Miro. |
| 2006 |
Mirror-Image, Artonomy Fine Art, Cornwall, UK |
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Myth of Place, Nolia’s Gallery, London. To Old Ladies House Art Space, Macao, China |
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Private: Staff Only, ICA, London, UK |
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Enlightenment, Sotheby’s London, UK |
| 2005 |
SCOPEmiami, Bischoff/Weiss, Miami, USA |
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ARTfutures 2005, Contemporary Arts Society, London |
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SCOPElondon, Bischoff/Weiss, London, UK |
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The Figure Show 05, Jill George Gallery, London, UK |
| 2004 |
The Relaxed Audience or Why Are We So Wise. Jeffrey Charles Gallery, London, UK |
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Greetings from Chelsea, Edward Thorp Gallery. NY, NY |
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DLA Art Award, Sarah Myerscough FA, London, UK |
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ARTfutures, Contemporary Arts Society, London, UK |
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New Work, New Artists, Jill George Gallery, London, UK |
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The Figure Show, Jill George Gallery, London, UK |
| 2003 |
RA Summer Show, Royal Academy of Art, London, UK |
| 1999 |
Absolut Secret, David McKee Gallery, NY, NY |
| 2008 |
‘Friends & Relatives’ Riccarda Mandrini, Flash Art. Feb-March. Page 141 |
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‘Friends & Relatives’ Cinzia Compalati, ARTKEY magazine, teknemedia.net |
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‘Painting Room’ Sarah Yates, artartartgallery.com |
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‘Preview: East Wing Collection VIII’ saatchi-gallery.co.uk |
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‘Visual Arts Diary: The Painting Room’ Kristine MacMichael, transitiontradition.com |
| 2007 |
‘Bomberg’s Relevance.’ JJ Charlesworth, Time Out London, September 4th |
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‘Going Out: Bomberg’s Relevance’, Independent Magazine, August 11th |
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‘Beauty and the Repeat’ Lucy Bayley, London Paper, August 28th |
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‘Repetion and Sequence’ Lupe Nunez-Fernandez, Saatchi.blog, August |
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‘Reclamation Point’, Heather Waddell, hwlondonartandartistguide.com, March |
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‘To wear your art on your sleeve’, Julia Weiner, Jewish Chronicle, March 23rd |
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‘Keep in Dark’ Francesca Gavin, bbc.co.uk/collective, March 8th |
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‘Reclamation Point’ London Paper, March 6th, 2007 |
| 2006 |
‘Michael Ajerman,’ Ginevra Bria, Exhibart.com, November |
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‘How to Collect.’ Paul Arendt, The Guardian,
October 12th |
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‘Both an Outsider and a Painter’s Painter’
Joao Ribas, The Sun, June 27th |
| 2005 |
‘Ultimate Basel Blog: Days 4 & 5’ Artinfo.com. December 4th |
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‘Emerging Artists: Fair Game’ Joao Ribas. Artinfo.com. November 28th |
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‘Interview with Michael Ajerman’ H. Waddell, London Art and Artist Guide |
| |
‘Monet, Manet, Money’ Lucia Van Der Post, The Times, January 19th |
| 2004 |
‘Greetings from Chelsea’ New York Times, July 9th |
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‘What’s on – DLA Art Award’ Metro Weekly, April 6th. Page 31 |
| 2003 |
‘Summer Exhibition’ Royal Academy of Arts Magazine, Issue no.79, Page 51-52 |