| 2009 |
Graduate Theological Union, Berkeley CA “Messenger” |
| 2007 |
Toomey Tourell Fine Art, San Francisco CA “Messenger” |
| 2003 |
Toomey Tourell Fine Art, San Francisco CA |
| 2000 |
Villa Montalvo, Saratoga, CA “Silence Matters” |
| 1995 |
Finch Gallery, Phoenix AZ |
| 1994 |
Meridian Gallery, San Francisco CA |
| 1992 |
Falkirk Cultural Center, San Rafael, CA |
| 1991 |
Los Medanos College, Pittsburgh, CA |
| 1985 |
Slant Gallery, Sacramento, CA |
| 1981 |
Works Gallery, San Jose, CA |
| 2008 |
San Francisco Museum of Modern Art. “2008 Auction” |
| 2008 |
Toomey Tourell Fine Art, San Francisco CA “Ten” |
| 2008 |
San Francisco Center for the Book, San Francisco CA |
| |
“Banned and Recovered: Artists Respond to Censorship” |
| 2007 |
David Cunningham Gallery, San Francisco CA “Strange Weather” |
| |
Seattle Art Museum Gallery, Seattle WA “In Focus: West Coast Galleries at SAM |
| 2005 |
San Francisco International Art Exposition, San Francisco, CA |
| |
Contemporary Arts Center, New Orleans, LA |
| 2004 |
The Bedford Gallery, Walnut Creek, CA “The Essence of Nature” |
| |
The Kala Institute, Berkeley, CA “The Drawing Room” |
| 2003 |
Biennale Internazionale dell Arte Contemporanea, Florence, Italy |
| 2000 |
Ruth Bachofner Gallery, Santa Monica, CA |
| |
Alysia Duckler Gallery, Portland, OR |
| |
Toomey Tourell Fine Art, San Francisco, CA “Small Paintings” |
| 1998 |
Andrea Schwartz Gallery, San Francisco, CA |
| |
Toomey Tourell Fine Art, San Francisco, CA |
| 1997 |
Phoenix Museum of Art, Phoenix, AZ “Elusive Nature” |
| 1996 |
Cuenca Museum, Cuenca, Ecuador “Elusive Nature” |
| 1995 |
Center on Contemporary Art Seattle, WA “Folie a Deux” |
| |
Meridian Gallery, San Francisco, CA “About Drawing” Curated by Peter Seltz |
| 1994 |
Oakland Museum, Oakland, CA “New Acquisitions” |
| |
San Francisco Museum of Modern Art Artists Gallery San Francisco, CA |
| |
Bank of America World Headquarters San Francisco, CA “Plan B” |
| 1993 |
Solomon Dubnick Gallery, Sacramento, CA “Outer Scapes: Landscapes from California” Curated by Peter Frank |
| 1993 |
Museo Italo Americano, San Francisco, CA “Mostra 93” |
| 1990 |
Christopher Grimes Gallery, Carmel CA |
| 1988 |
Monterey Peninsula Museum of Art, Monterey, CA |
| 1987 |
Riverside Museum, Riverside, CA “Julia Morgan Memorial Exhibition” |
| 1985 |
San Francisco Art Institute, San Francisco, CA “Concerning the Spiritual” |
| San Francisco Art Magazine, “Eva Bovenzi: Messenger”, DeWitt Cheng, Summer 2007. Illustration. |
| Art Contemporaries “Nature’s Essences” Amy Berk. Summer 2004. Illustration |
| Artweek “The Drawing Room at Kala Art Institute” David Buck. April, 2004 |
| The Gallery at Villa Montalvo: Selected Exhibitions, 1996-2000 Catalog. Essay by Mary Hull Webster. 2002. Illustration |
| Artweek “Eva Bovenzi, Peter Foley and Farrar Wilson” Berin Golonu February, 1999. Illustration |
| The Arizona Republic “Natural Selection” Richard Nilsen. June 20, 1997 Illustration |
| Hoy “Natureleza Esquiva en Quito” February 19, 1997 |
| El Comercial “Bienial:Cuatro Muestras en Quito” February 24, 1997 |
| Catalog to the Exhibition “El Quinto Bienial de Pintura, Cuenca, Ecuador” November, 1996. Illustration |
| Catalog to the Exhibition “Elusive Nature” David S. Rubin. November, 1996 Illustration |
| San Francisco Bay Guardian “Critic’s Choice” Harry Roche. October 26, 1994 |
| San Francisco Chronicle “Plan B Takes Effect” Kenneth Baker. November 26, 1993 |
| Artweek “The Gang of Four: ‘Private Investigations’ at Opts Art” Stephen Jenkins. November 18, 1993. Illustration |
| Artweek “New World: Six Italian-American Artists at the Museo Italo-Americano” Bruno Fazzolari. August 19, 1993. Illustration |
| Sunset Magazine “Santa Monica is Art City” September, 1990. Illustration Zyzzyva Magazine Fall, 1990. Illustration |
| Artweek “Dualities and Transformations” Janis Edwards. September 28, 1985 Illustration |
| Catalog to the Exhibition “Concerning the Spiritual: the Eighties” David S. Rubin 1985. Illustration |
| San Francisco Chronicle “Art in the Right Spirit” Kenneth Baker. August 29, 1985 |
| San Francisco Examiner “The Spirit’s Willing” Al Morch. August 26, 1985 Illustration |
| Oakland Museum, Oakland, CA |
| The Packard Foundation, Palo Alto, CA |
| The Delfina Studio Trust, London, England |
| Ucross Foundation, Clearmont, WY |
| Art Space, Birmingham, MI |
| Kaiser Permanente, Walnut Creek, CA, San Francisco, CA |
| Fidelity Investments, Boston, MA |
| Fennemore Craig, Phoenix, AZ |
| Brown, Rudnick, Freed & Gesmer, Hartford, CT |
| Syntex Corporation, Palo Alto, CA |
| Commissioned narrative for “Lammermoor”, video by Austin McQuinn. Butler Gallery, Kilkeeny, Ireland 2008 |
| Commissioned narrative for “The Force of Destiny”, video by Austin McQuinn. David Cunninham Projects, San Francisco CA 2007 |
| Commissioned narrative for “Ape Opera House”, video by Austin McQuinn. Cork 2005 European Capital of Culture, Cork Ireland |
| Biennale dell¹Arte Contemporanea 2003. Florence, Italy. Painting award. |
| Fundacion Valparaiso, Mojacar, Spain. Residency, 1999 |
| U.S. Representative to the 1996 Cuenca, Ecuador Biennial of Painting |
| Delfina Studio Trust, Manilva, Spain. Residency, 1996 |
| Ucross Foundation, Clearmont, Wyoming. Residency, 1993 |
| Djerassi Foundation, Woodside, California. Residency, 1991 |
| San Francisco Art Institute: Board of Trustees, San Francisco, CA, 1990-91 |
| John A. Goldsmith/Philip Blair Rice Memorial Fellowship in Visual Art, 1992 |