Born in Singapore, 1970.
| 2007 |
Honey Trap, Toomey Tourell gallery, San Francisco, USA |
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Static Interference, Vertigo gallery, London |
| 2005 |
Hanging Garden, Text + Work, the Art Institute at Bournemouth (text by James Barron) |
| |
Arte Fiera, Vertigo gallery, Bologna, Italy |
| 2004 |
Carbon Candy, Vertigo gallery, London |
| 2003 |
Arcs + Surfaces, Vertigo gallery, London |
| 2002 |
Cusp, Sarah Myerscough Fine Art, London (two-person with Rebecca McLynn) |
| 2000 |
A Line of Enquiry, The Loading Bay, London |
| 1999 |
The Antidote, The Loading Bay, London |
| 1997 |
New Paintings, Concord Sylvania, London |
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The Painted Figure, Hirschl Contemporary Art, London (two-person with Gabriel Schmitz) |
| 1995 |
Lingering in Chambers of the Sea, The Acorn gallery, Liverpool |
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New Paintings, Gallery 28, Reading |
| 1993 |
Coming Up for Air, Engert Haus, Munich, Germany |
| 1991 |
Beata Clarisa, Corpus Christi College, Cambridge |
| 2007 |
Honey Trap, Toomey Tourell Fine Art, San Francisco, USA |
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Meeting Place, Russell – Cotes Art Gallery & Museum, Bournemouth and the Arts Institute at Bournemouth (curated by Stephanie James & Jackie Serafopoulos) |
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Underground, Shoreditch Town Hall basement, London (three-person with Roger Ackling and Simón Granell) |
| 2005 |
Definite Article, Vertigo Gallery, London and Toomey Tourell Fine Art, San Francisco, USA, 2006 (with Roger Ackling, Marc Vaux and Cathy Wade) |
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Kunst Messe Frankfurt, Vertigo Gallery, Frankfurt, Germany (two-person with Karl Maughan) |
| 2004 |
Surface, Vertigo Gallery, London |
| 2003 |
Paperwork, Vertigo Gallery, London |
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30 × 30, Vertigo Gallery, London |
| 2002 |
Wall to Wall, Sarah Myerscough Fine Art, London |
| 2001 |
Sarah Myerscough Fine Art, London |
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emission, The Loading Bay, London |
| 2000 |
RMIT University gallery, Melbourne, Australia |
| 1998 |
The Market Place Gallery, London |
| 1997 |
The Art Experience, The Atrium Gallery, London |
| 1996 |
The Glasgow Art Fair, Hirschl Contemporary Art, Glasgow |
| 1995 |
Art East, London |
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The Genitals are Beauty, The House of William Blake, London |
| 1994 |
The Waterlilly Foundation, The Guildhall, Cambridge |
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Art East, London |
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The Art Show, Alexandra Palace, London |
| 2007 |
Ed. Stephanie James & Les Buckingham, Meeting Place, the Russell – Cotes Art Gallery & Museum, Bournemouth, in association with Text + Work, the Arts Institute at Bournemouth, (exhibition catalogue inc. essay by Eric Butcher) |
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Texts by John Haldane (Professor of Philosophy, University of St. Andrews), Tania Kovats (artist and writer), Lee Triming (artist and writer) and Dr. Julie Sheldon (Reader and Programme Leader in Art History, Liverpool John Moores University) in Underground, Shoreditch Town Hall basement, London, ISBN 978-0-9552820-6-5 (published by CAIR and distributed globally by Cornerhouse Publications) |
| |
Ed. Margaret O’Regan, Art at More London, The LG collection of Contemporary art, London (collection catalogue) |
| 2005 |
James Barron, Spaces, In, Out and Around, in Text + Work, the Arts Institute at Bournemouth, Bournemouth, ISBN 0-901196-09-6 (exhibition catalogue) |
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Eric Butcher, Objects and Surfaces, in Definite Article, Vertigo Gallery, London, ISBN 1-903-771-13-7 (exhibition catalogue). Reprinted in Art & Architecture Journal, Autumn 2006 |
| 2004 |
William Packer, Untitled, in Carbon Candy, Vertigo gallery, London, ISBN 1-903-771-12-9 (exhibition catalogue) |
| 2003 |
Angela Kingston, New Paintings by Eric Butcher, Catherine Shearn, A Conversation with Eric Butcher, in Arcs + Surfaces, Vertigo Gallery, London, ISBN1-903-771-08-0 (exhibition catalogue) |
| 2007 |
The Arts Institute at Bournemouth, Research Fellowship 2007 |
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Centre for Art International Research (CAIR), Liverpool School of Art/Liverpool John Moores University: Multiple Perspectives Fellowship 2007 |
| 2006 |
Research grant: The Arts Institute at Bournemouth (funding for exhibition and publication costs relating to Underground, Shoreditch Town Hall basement, London, 2007) |
| 2005 |
Research grant: The Arts Institute at Bournemouth (funding for publication costs relating to the exhibition catalogue Definite Article, Vertigo gallery, London, 2005, Toomey Tourell Fine Art, San Francisco, USA 2006) |
| 2002 |
Arts Council England, London: Visual Arts Development Award (funding awarded for the developmental and materials costs relating to the manufacture of experimental new forms for the exhibition Arcs + Surfaces, Vertigo Gallery, 2003) |
| 2001 |
Wimbledon School of Art Research Centre (funding for the exhibition costs relating to emission, the Loading Bay, London, 2001) |
| 2000 |
Arts and Humanities Research Board: Postgraduate Scholarship |
| Capital & Provident, London |
| Clariden Leu (Credit Suisse), London |
| HDG Ltd. London |
| HM (EU Partners) LLP, London |
| Kazakhmys PLC, London |
| LG Collection of Contemporary Art, London |
| Linklaters, London |
| Morley Fund Management, London |
| Munkenbeck + Marshall Architects, London |
| The Open University, Milton Keynes |
| Queen Elizabeth Hospital Cancer Centre, Birmingham |