Toomey Tourell Fine Art: Clytie Alexander

Clytie Alexander

Education

1964-65	University of California Los Angeles, studied Art
1960	San Jose State College, California, studied Art and Engineering
1958-60	Antioch College, Yellow Springs, Ohio, studied Art and Engineering
	Max Mercer, Architect, Yellow Springs, Ohio, Apprentice
1957-58	Bulbul Lalitakala Academy (BAFA), Dhaka, Bangladesh, studied Music and Dance with Ajit Sanyal
1957	MacDonald High School, Ste. Anne de Bellevue, Quebec, Graduate

Selected Solo Exhibitions

2006	Bobbie Greenfield Gallery, Santa Monica, Diaphans
2005	Galleria AAM, Milano, Clytie Alexander
2004	Galleria AAM, Rome, Clytie Alexander
	Galleria Peccolo, Livorno, Clytie Alexander
	Other Projects, New York, (curator Marina Urbach), Perforations
2002	Galleria AAM, Rome, L’Atelier in Galleria Clytie Alexander: in situ
2001	Galleria Architettura arte moderna, Milan and Galleria Peccolo, Livorno (June), “The Deer in The Dream” e altri dipini e lavori su carta 1995-2001
	The Ben Shahn Galleries, William Paterson University, Wayne, New Jersey (February) Clytie Alexander, (cat.)
2000	Sarita Dubin Fine Art, Tokyo, Clytie Alexander-works on paper
1999	AAM Galleria Architettura Arte Moderna, Rome Europa America
	New Arts Program, Kutztown, Pennsylvania, Recent Paintings and Drawings
1998	Galleria Architettura arte moderna, Milan Narada II, (catalogue)
1997	Spazio Callaghan, Milan, Narada I, (catalogue)
1994	Victoria Anstead Fine Art, New York, The Fire in The Lacquer House
1992	Sharon Truax Fine Art, Los Angeles, New Abstract Paintings
1991	Sharon Truax Fine Art, Los Angeles, New Sculpture
1989	Saxon-Lee Gallery, Los Angeles, Landscapes/Seascapes
1982	Ruth S. Schaffner Gallery, Santa Barbara, California, New Paintings
1980	Ruth S. Schaffner Gallery, Santa Barbara, California, Clytie Alexander

Selected Group Exhibitions

2005	Bobbie Greenfield Gallery, Santa Monica (with Charles Arnoldi, Daniel Buren, Bodo Korsig, Louise Nevelson ,Off the Wall
2004	MCS Gallery, Easton, PA (with Jon Yau, Max Gimblett, Ralph Lemon, Dan Hurlin), Live on Paper
2003	American Academy of Arts and Letters, New York (May), Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards
	The Ohio State University, Columbus, Hopkins Hall Gallery, Visiting Artists American Academy of Arts and Letters (March), Invitational Exhibition of Painting and Sculpture
2002	Galerie Jean Fournier, Paris, Other Painters
	The Harwood Foundation Art Museum, Taos, NM , Selected Work From the Permanent Collection
2000	Galleria Architettura arte moderna, Milan, Un Milione
1997	Newhouse Center for Contemporary Art, Staten Island, New York (Lilly Wei, curator) After The Fall: Aspects of Abstract Paintng Since 1970
	Bard College, Annandale-on-Hudson Fischer Studio Art Building, Parallels and Crossings: A View of Geometric Paintings
	Victoria Anstead Fine Art, New York, Limit/Less
1996	Victoria Anstead Fine Art, New York, Reductive Abstraction: An Invitation to Silence
	Bobbie Greenfield Fine Art, Santa Monica, Bugs, Beasts, Birds and creatures of the water
	Craig Krull Gallery, Santa Monica, Photographing the L.A.Art Scene 1955-1975
1994	Tavelli Gallery, Aspen, Painting as Subject and as Painting
	John Grant Gallery, Denver, Contemporary Abstract Painting
1993	Michael Walls Gallery, New York, The Summer Show
	Swiss Institute New York, New York, A Grand Tour
1992	Bank of America Gallery,Costa Mesa, California, The Frame: Multiplied and Extended
1991	Biota Gallery, Los Angeles, The Mystic Landscape
1989	Saxon-Lee Gallery, Los Angeles, From the Back Room: Gallery Artists
	Alitash Kebede Fine Art, Los Angeles, Five Los Angeles Artists
1986	Art Center College of Design, Pasadena (Malinda Wortz, curator), Pasadena Collects the Art of Our Time
1985	University of California Irvine, 1+1=2 , (catalogue)
1984	Ruth S. Schaffner Gallery, Santa Barbara, California Gallery Artists
	Cirrus Gallery, Los Angeles, Artists’ Choice
	Jan Baum Gallery, Los Angeles, The Finals
	Thomas Babeor Gallery, La Jolla, California, Gallery Artists
1984	Metropolitan Transportation Commission, Los Angeles, 30 Los Angeles Painters, (Jean Millant, curator)
1983	Los Angeles Institute of Contemporary Art, 10+10+10
	Thomas Babeor Gallery, La Jolla, California, Gallery Artists
1982	Gensler and Associates, Los Angeles, Third and Sunset, Venice
1981	Cohen and Ziskin. Los Angeles, land.scape , (Tamara Thomas, curator)
1978	Ruth S. Schaffner Gallery, Santa Barbara, California, New Gallery Artists

Awards, Grants and Residencies

2005	Adolph and Esther Gottlieb Foundation, Individual Support Grant
2003	American Academy of Arts and Letters, Hassam, Speicher, Betts and Symonds Art Purchase Award
2002	American Academy in Rome, Visiting Artist (March-April)
2001	Pollock-Krasner Foundation, Individual Support Grant
1999	New Arts Program Artist in Residence, Kutztown, Pennsylvania (September)
	American Academy in Rome, Visiting Artist (March-May)
1998-07	Elizabeth Foundation for the Arts Studio Program, New York
1998	Elizabeth Foundation for The Arts, Individual Support Grant
	American Academy in Rome, Visiting Artist (January-April)
1996	International Studio and Curatorial Program, Artist in Residence
1993	Pollock-Krasner Foundation, Individual Support Grant
	Gerard Junior Foundation, Individual Support Grant
1990	Sarabhai Family Foundation, Ahmedabad, India, Visiting Artist

Selected Bilbliography

Butz, Steven. Essay. The Paintings of Clytie Alexander 1992 – 2003. Art in Architecture, www.AinA.com., New York, February 2004

Carroll, James F.L. Interview for television (videotaped and transcribed). Clytie Alexander. New Arts Alive, July 13, 1999

Fressola, Michael J. Review. After the Fall: Aspects of Abstract Painting Since 1970. The Staten Island Advance, April 11, June 15, September 1, 1998

Geer, Suvanne. Review. In the Galleries. Los Angeles Times, Friday, April 21, 1989

Lazzari, Margaret. Review. Metaphors of Experience. Art News, June 1989

Leites, Edmund. Review. The Fire in the Lacquer House. Art in America, March 1995

Morgan, Robert. Review. The Symbolic Surface in Abstract Painting. After the Fall: Aspects of Abstract Painting Since 1970, Volume II, Lilly Wei, Ed., Newhouse Center for Contemporary Art, 1998

Moschini, Francesco. Review. L’Atelier in galleria: Clytie Alexander in situ. Portaportese Weekly(Rome), 19 Aprile 2002

Review. L’Atelier in galleria: Clytie Alexander in situ. La Repubblica, Trova Roma 18 Al 24 Aprile, 2002

Moschini, Francesco and Del Gesso, Emilio.

Review. Europa America. L’Unita(Rome), 1 Maggio, 1999

Review. Europa America. Portaportese Weekly (Rome), 28 Maggio, 1999

Plouse, Phyllis. Collection Catalogue. The Ruth S. Schaffner Collection. University Art Museum, University of California, Santa Barbara, 1988

Safran Yehuda. Exhibition Catalogue. Clytie Alexander, Narada I and Narada II. Spazio Callaghan and Galleria Architettura Arte Moderna, Milan

Exhibition Catalogue. Clytie Alexander. William Paterson University,Wayne, New Jersey

Schmidt, Lydia. Review. The International Studio Program, New York. ELLE (German Edition), Burda Publications, June, 1998

Wei, Lilly. Exhibition Catalogue. After the Fall: Aspects of Abstraction Since 1970 ,Volume I and Volume II. Lilly Wei, Ed., 1998

Wilkinson, Jeanne C. Review. Review. May 15, 1998

Review. After the Fall: Aspects of Abstract Painting Since 1970 , Volume I and Volume II. Lilly Wei, Ed., Newhouse Center for Contemporary Art, Staten Island

Wilson, William. Review. In the Galleries. Los Angles Times, Friday, November 29, 1989

Review. A Few Fomenters of Neo-Foment. Los Angeles Times, Sunday, June 26, 1988

Wortz, Malinda. Exhibition Catalogue. Pasadena Collects the Art of Our Time. Art Center College of Design, Pasadena, 1988

Exhibition Catalogue. 1+1=2. University of California, Irvine, 1986.

Yau, John. Review. After the Fall: Aspects of Abstract Painting Since 1970 Volume II. Lilly Wei ,Ed, Newhouse Center for Contemporary Art, Staten Island, NY